A few days ago my daughter and I went to a concert at Bedlam
Theater in Minneapolis. A friend of mine worked with the Women’s Foundation to
put it on; all of the money raised goes to the MN Girls Are Not For Sale campaign, which is working to fight human
trafficking in Minnesota. We loved the
local bands and have been listening to the CD “Voice” in the car. Hip-hop,
folk, gospel--each song is voice only and shot through with hope. The musicians donated their time and effort
and all of the proceeds go to fighting trafficking of young men and women in
our backyard. My daughter is the age of
many of the adolescents who are trafficked.
The other evening my husband, our two daughters and I
attended a senior Dance Show at the UM, where Magnolia Yang Sao Yia performed a
dance she choreographed, “20 Years Strong.” With the use of audio, wearing a
traditional skirt over jeans and t-shirt, and through precise movements of her
hands, her hair, and the rest of her body, Yang expressed the history of the
Hmong people fleeing from the Viet Cong, living in refugee camps, migrating to
the United States, and navigating the obstacles to thriving in the U.S.
Magnolia wrote that “20 Years Strong” is “dedicated to all of the strong,
beautiful, and inspirational Hmong women in my life who have gifted me with
love, resilience and courage. We will not be silenced.” In our Learning Abroad seminar, half of our
20 students are Hmong, and most are women.
The night before I flew out I ate pizza and watched Selma with my family, because my
daughters really wanted us to watch it, and I see why. It is a potent movie at any time in history,
but especially so as the ripple effect of Black Lives Matter continues to build
in momentum and reveal our institutional racism throughout our country.
And in between these events, I walked through the meadows on
our land to the Rum River, and into the woods, marveling at the wildflowers and
the riot of green. As I stood on the banks of the river and watched the light glint
off of the water, I pictured the mighty Mekong River that I will be fortunate
to see again in a few days.
Human Trafficking, cultural resilience of Hill Tribe members
and African Americans, and the ecological integrity of rivers and other natural
places. To borrow a quote from Martin Luther King, Jr. in one of his speeches
in Selma, “All of these efforts are one effort.” And stories—through music, dance, and
film--are used to not only express struggles, beauty, and hope, but to take part
in creating our understanding of and engagement with these issues.
This learning abroad that my colleague Cathy Solheim and I
created springs out of our mutual interest in the power of stories to reveal
culture and family, and the intricate relationship between people and the land:
the Mississippi, the Mekong, and all other natural places. Cathy had wanted to further explore the
connection between families, communities and the natural environment from the
family social science lens, and I am researching the role of the arts to both
reveal and shape the ways communities are navigating the impacts of climate
change and globalization. I want to better understand how communities nurture
their cultural traditions and the integrity of their collective in the face of decreasing
access to natural resources along with the impact of commerce conducted by large
transnational corporations. Our students
are asking similar questions, and understand that they will shoulder the
responsibilities of dealing with the impact of globalization and complex
natural resource issues as they move into their futures.
I know “these efforts are one effort,” but I need Cathy, with
her cultural understanding of and experience in Thailand as well as her Family
Social Science framework, and these 20 students we’re fortunate to be traveling
with, and especially our Thai friends, villagers, and educators, to help me better
understand the issues and to articulate how these efforts are one effort. Within
the collective we will learn and share our visions and hopes for our
communities, our students, and the communities we are engaging with in northern
Thailand.
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